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Showing Records: 161 - 180 of 839

Correspondence, 1997

 File — Box: 20, Folder: 17
Scope and Contents

Notice from Academy of Arts and Letters re: death of Alan Ginsberg, April 5, 1997

Aronowitz, Al, May 1, 1997

Adolphe, Bruce (to Judy Boals), August 14, 1997

"Santo,” October 21, 1997

Dates: 1997

Correspondence, 1998

 File — Box: 20, Folder: 18
Scope and Contents

Shepard, Sam (to Magic Theater ), April 29, 1998

Boals, Judy, July 23, 1998

Callahan, Michael (to Judy Boals), September 14, 1998

Dates: 1998

Correspondence, undated

 File — Box: 20, Folder: 19
Scope and Contents

"Freddie and Lara" (first names only)

McAdams, "Coach"

Multiple authors (first names only)

Dates: undated

Correspondence, 1987-1989

 File — Box: 21, Folder: 2
Series Description From the Series:

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Dates: 1987-1989

Correspondence, 1982

 File — Box: 20, Folder: 3
Scope and Contents

Lawson, Wayne, November 10, 1982

Dates: 1982

Correspondence, 1983

 File — Box: 20, Folder: 4
Scope and Contents

Phillips, Jerrold, March 2, 1983

Berman, Lois, August 18, 1983

Cuyama Valley Exchange Club. August 29, 1983

Mitchell, Joni, circa 1983

Dates: 1983

Correspondence, 1984

 File — Box: 20, Folder: 5
Scope and Contents Rogers, S[Sam], April 13, 1984Gantcher, Neal(to Martin Licker), June 6, 1984Kirwin, Lynne (to Lois Berman), June 27, 1984Allen, Lewis (to Lois Berman), June 29, 1984Shewey, Don (to Lois Berman), July 12, 1984Shewey, Don, July 12, 1984Berman, Lois, July 17, 1984Allen, Lewis, July 17, 1984McCrum, Robert (to Lois Berman), August 23, 1984* restricted Shepard, Jesse, October 9, 1984...
Dates: 1984

Correspondence, 1985

 File — Box: 20, Folder: 6
Scope and Contents

* restricted Shepard, Jesse, February 20, 1985

Ward, Melinda, February 28, 1985

Weiler, Robert S., June 28, 1985

Allen, Lewis, July 3, 1985

Sato, Suzanne, July 8, 1985

Dates: 1985

Correspondence, 1986

 File — Box: 20, Folder: 7
Scope and Contents

* restricted Shepard, Jesse, February 2, 1986

Gotlieb, Howard, April 4, 1986. (Includes Boston University’s Shepard collection listing.)

Dates: 1986

Correspondence, 1988

 File — Box: 20, Folder: 8
Scope and Contents

Klein, Don, April 25, 1988

Mark, Steven (to Martin Licker), June 7, 1988

Wenders, Wim, July 22, 1988

Crane, Joan, July 28, 1988

Crane, Joan, August 2, 1988

Wexler, Haskell, September 30, 1988

Wexler, Haskell, October 21, 1988

“Mom,” November 2, 1988

Bryer, Jackson, November 30, 1988

Daugherty, Pat, December 19, 1988

Dates: 1988

Correspondence, 1989

 File — Box: 20, Folder: 9
Scope and Contents

Daniels, Barry, January 5, 1989

Berman, Lois, May 17, 1989. Includes “American Dreams” programs

Ford, Richard, August 10, 1989

Sinise, Gary, November 4, 1989

Dates: 1989

Correspondence, 1982-1998

 Series
Series Description

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Dates: 1982-1998

Correspondence, 1983-1985

 File — Box: 3, Folder: 11
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1983-1985

Correspondence, 1985-1992

 File — Box: 4, Folder: 1
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1985-1992

Correspondence, 1993

 File — Box: 8, Folder: 3
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1993

Correspondence, 1980 - 1981

 File — Box: 291, Folder: 5
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: 1980 - 1981

Correspondence from 7 Stages director Faye Allen and from lighting designer Ann Millitello regarding the death of a friend named John Dodd, 1991, 1998

 File — Box: 6, Folder: 8
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1991, 1998

Correspondence from Judy Boals, 1996

 File — Box: 8, Folder: 13
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1996

Correspondence from Peter Kaminsky and Wim Wenders, 1982-1983

 File — Box: 14, Folder: 8
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1982-1983

Correspondence, includes: program for Minnesota film premiere and program and materials from 1988 Telluride Film Festival, 1988-1989

 File — Box: 14, Folder: 18
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1988-1989

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